Charles Carpeaux at The Kimbell Art Museum, USA
Charles Carpeaux at The Kimbell Art Museum, USA
3D
Published 2015-10-13T17:55:46+00:00
Jean-Baptiste Carpeaux was much sought after as a portraitist by prominent sitters, including members of the French imperial household. Among his finest busts is this posthumous portrait of his older brother, Charles, a musician, who died in 1870 after long suffering. Carpeaux made an initial, rapid sketch of his brother in plaster (Musée du Petit Palais, Paris), which the sculptor’s earliest biographers claimed was made entirely for himself as his brother lay ill. The Kimbell’s terracotta cast, whose surface was remodeled with additional clay, preserves a sense of the artist’s own physical involvement in the material through the sketchy handling, especially in the texture of the jacket and the hair. The back and side of the figure’s coat show the traces of the artist’s fingers in the process of forming, while the lines along the sleeves, apparently made with a stylus, are comparable to chisel marks still visible on a marble work in process. These textures, indications that the work is not “finished” by conventional standards, are richly suggestive, perhaps drawing upon the expressive power of the unfinished sculptures of Carpeaux’s hero, Michelangelo. The hand and tool marks provide a sense of intimacy, suggesting that the viewer is watching over the shoulder of the sculptor at work in his studio. They also provide elegaic overtones: the rough, unfinished look seems in keeping with the subject’s “unfinished” life. By virtue of its exciting, informal surfaces, this portrait is among Carpeaux’s most modern works, anticipating the similarly modern-minded experimentation of Rodin. Among the preeminent French sculptors of his day, Carpeaux remains best known for his influential sculpture of nude allegorical figures for the facade of the new Paris Opera House (The Dance, now in the Musée d’Orsay, Paris), which was condemned as indecent and even vandalized shortly after completion in 1869.
(source; kimbell art museum)
This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.
Scanned : Photogrammetry (Processed using Agisoft PhotoScan)
NA
| Date published | 13/10/2015 |
| ¿Cuándo tiempo lleva? | 300 - 330 minutos |
| Cantidad de filamento | 95g |
| Dimensiones | x90mm y73mm z130mm |
| Tecnología | FDM |
| Titulo | Charles Carpeaux |
| Dimensión | 68.6 x 49.5 x 38.1 |
| Adhesión | AP 1984.21 |
| Periodo | 1874 |
| Medio | Terracotta |
| Crédito | (Hôtel des ventes, Paris, salle 2, 14 November 1917); purchased by Paul Helleu [1859-1927]; (vente Helleu, Hôtel des ventes, Paris, salle 9-10, 29 March 1928, no. 39); purchased by M. Blanchard de Lyon; purchased from Mlle. Blanchard by (Fabius Frères Ant |
| Artista | Jean-Baptiste Carpeaux |
| Lugar | Kimbell Art Museum |
