Parthenon Frieze _ North XLVII, 132-136
Parthenon Frieze _ North XLVII, 132-136
3D
Published 2017-05-17T16:59:30+00:00
Marble relief (Block XLVII) from the North frieze of the Parthenon. The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
Like the southern branch of the procession, the northern branch comprises mounted horsemen, chariots, elders, musicians, pitcher-bearers, tray-bearers and figures leading sacrificial victims.
Half of the North frieze is in the British Museum and the other half in the Acropolis museum. The total length of the north frieze was 58.70 m. The scenes begin at the northwest corner of the opisthonaos as a continuation of the procession which has already started on the west side, thus running from block N XLVII to block N I. The action develops gradually and from quiet preparation accelerates to a gallop. Ignoring the divisions of the blocks, the horsemen are depicted proceeding in groups of seven or eight, the horses partly overlapping each other. The continuous flow of horses and riders is interrupted only by the marshal (90) on block XXXIV. Yet with variety of garment, of stance and gesture of the most beautiful of the horsemen and with the occasional depiction of a man turning his head to look back, monotony is avoided.
The frieze of the Parthenon forms a continuous band with scenes in low relief that encircles the upper part of the cella, the main temple, within the outer colonnade. The theme represented was the procession toward the Acropolis that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena.
Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, People are marked in arabic numerals.
| Date de publication | 17/05/2017 |
| Titre | Parthenon Frieze _ North XLVII, 132-136 |
| Date | 447-432 BC |
| Dimension | L 160.0 m, H 1.0 m |
| Période | High Classical Greek style of Attic sculpture |
| Medium | Pentelic marble |
| Credit | Purchased from Thomas Bruce, 7th Earl of Elgin in 1816 |
| Artiste | Phidias |
| Localisation | British Museum |
