Jules-David Cromot, Baron du Bourg
Jules-David Cromot, Baron du Bourg
Published 2017-07-07T16:33:15+00:00
He was the pupil of his father, Jean-Louis Lemoyne, and of Robert Le Lorrain. He is commonly referred to as Jean-Baptiste II Lemoyne or "the younger" to distinguish him from his uncle of the same name, the sculptor Jean-Baptiste Lemoyne the Elder.
He received the prix de Rome awarded by the Académie royale de peinture et de sculpture, but remained in Paris to aid his blind father. He was a great figure in his day, around whose modest and kindly personality there waged opposing storms of denunciation and applause, as the Rococo style he embodied was rejected in favor of Neoclassicism; Charles Othon Frédéric Jean-Baptiste de Clarac asserted that he had delivered a mortal blow at sculpture. His freedom of composition was read as disregard of the classic tradition and of the essentials of dignified sculpture and he was accused of lack of firmness and of intellectual grasp of the larger principles of his art.
Date published | 07/07/2017 |
Title | Jules-David Cromot, Baron du Bourg |
Date | 1757 |
Dimension | 79.7 x 48.3 x 41.9 cm |
Period | Neoclassical |
Medium | marble |
Artist | Jean-Baptiste Lemoyne |
Place | National gallery of Art, Washington DC |